View the event on Grey Projects’ website here.
[12.01.22 - 12.02.22]
Sited at Grey Projects and presented through a program, Enzyme 1.0 (2022), My Desire to Consume is an exhibition that takes the form of an installation and a digital sandbox for ‘trading’ art.
Taking the form of programs, digital images and moving images, the exhibition brings together different digital art practices. From Joanne Ho and Kapilan Naidu’s Enzyme 1.0 (2022) that degrades artworks with each simulated ‘trade’, to Andreas Schlegel’s #FFFFFF an image of white that exaggerates Enzyme 1.0 to Debbie Ding’s Cat (2016) and Jennifer Mehigan’s Fuschia Jubilee (2021) that bring together digital aesthetics with traditional art world structures of distribution, to Tisya Wong’s Off Screen (2022) and Fyerool Darma’s KemuntingChina3 by Abam RetroTech (2022) that materialise the human hand in economies of ‘crafting’ images, these artworks mobilise digital formats and aesthetics in ways that critically engage with the speculation that have defined the post-Covid rise of digital art.
With the art scene being encouraged by the market and patrons to digitise, My Desire to Consume is a provocation to rethink the futures of the group exhibition as well as the conceptual stakes of digital art.
To attend during the extended opening hours, do register via here.